16 718 безплатни аудиофайлове за "Midi Files Containing Pitch Bend Data"

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Seven six chord on C (C7/6). Created by Hyacinth (talk) 15:53, 26 June 2011 (UTC) using Sibelius 5.

Blast beat drum pattern.

MIDI file of 'Marie Gavotte by Australian composer Herbert Hedwan CHandler (1865-1941)

Major triad on C in second inversion.

Lydian dominant scale on C.

Iidim6 chord in C.

Bach, Sinfonia in F minor BWV 795, mm. 1-3. Created by Hyacinth (talk) 22:19, 17 April 2010 using Sibelius 5. See: :Image:Bach,_Sinfonia_in_F_minor_BWV_795,_mm._1-3a.png

clave pattern in 5/2

Prime row form from Stravinsky's Requiem Canticles.

clave pattern in 7/4

Example of the submediant ("triad on VI") used as a dominant preparation.

Blast beat drum pattern.

Diatonic scale on C, equal tempered. Created in Sibelius with no midi pitch bend for 12-tet.

Salve, sancta parens, Rätselkanon von Ludwig Senfl. Der lateinische Text lautet: "Salve, sancta parens, dulcis amor meus, virgo pia, salus mundi, coeli porta".

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

6/8 clave, first form (standard pattern)

Minor chord on A.

Major thirteenth on F

Tone row with Schoenberg's initials preceded by remaining four notes.

Delayed backbeat (last eighth note in each measure) as in funk music. Created in Sibelius. en:Image:Delayed backbeat.png

*Major tenth on C = E'. Equal-tempered: 216/12:1 = 1600 cents. MIDI pitch bend: none

MIDI file of Christmas Carol "A Child This Day Is Born" 1913 by Arthur Massey 1861-1950 Australia

Anfang des zweiten Satzes aus Beethovens Opus 109

Minor thirteenth on F, as MIDI

Papal Hymn Long Live the Pope by Hugh T. Henry (words) and Henry G. Ganss (music)

Basic shuffle rhythm. Created by Hyacinth (talk) 22:04, 28 July 2008 in Sibelius.

The most basic ride pattern in rock and other styles. References: Schroedl, Scott (2001). Play Drums Today!, p.9. Hal Leonard. ISBN 0634021850 Eighth-note ride pattern played with triplet swing.

3-2 Son Clave Pattern in duple time.

Habanera rhythm in the bass (cello) from the "Habanera" aria in Carmen.

Tone row from Stockhausen's Klavierstück IX.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Tone proportions of Studie I. I took F♮ as the starting point.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Simple and compound major third (major third and major tenth).

Reggae one drop pattern, half-time variation.

Satz aus "Bilder einer Ausstellung"

Ave Maria (Bach/Gounod)

Heavy metal gallop variation featuring triplets.

Shuffle triplet-like performance.

Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.

Campana (Spanish: "bell") bell pattern below a 2-3 clave rhythm.

Rumba Clave Pattern in triple time.

Süßer die Glocken nie klingen

Ratio between pitch and length of an organ pipe: octaves.

Secondary dominants in Beethoven's Symphony No. 1, introduction.

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

MIDI file of 'True Blue' Foxtrot 1920 by Albert Bokhare Saunders 1880-1946

MIDI file of 'Gavotte' 1909 by Australian composer Fred Werner (ca. 1850-1920)